


I use a hot head torch for all of my lampworking. Some call it a “beginner’s torch” and when at the Arrow Springs booth at the Milwaukee 2009 Bead and Button Show, two workers said, “You should get rid of that torch,” but I think anyone who says to get rid of something without knowing a person’s skill level or finances is an ignoramus. Sorry Arrow Springs. Right now the hothead serves my needs, and I make very beautiful beads with it. There are many talented artists who belong to the same lampworking forum as me and many are super satisfied with their HH and have no plans to switch to a dual flame set –up. I understand its advantages, but not until I get so successful where I’m able to afford lots of Double Helix, and an oxygen concentrator will I consider switching.
Well, I made no beads today because I am out of gas, and this is driving me nuts! I called the design center last week to order a 20 lb tank which was supposed to be ready for pickup today, but due to a death in the owner’s family, the tank won’t be available until tomorrow. While I’m bummed, I feel bad for her loss which is of course greater. Hopefully tomorrow I’ll have goodies to share.


I did another copper etching, but while clichés are often disappointing, in this case they fit: practice makes perfect, and I spread myself too thin. So I decided to start something else while the copper sat in its lovely lil acid jar, but I got super sidetracked and let it sit acid bathing for three hours (WAY too long… unless you’re trying to dissolve a human being) and my lovely lil copper treasures partially disintegrated! Serves me right.
But I do recommend this: try using cutouts of contact paper as the resist instead of ink; it gives much crisper lines. I printed out a flower template and traced the contact paper over it, then cut out my new flower decal and had some corners not dissolved from my own lack of supervision, there was a lot of promise there.
I learned through trial and error that steel does NOT etch, it flips the bird to liver of sulfur, and IS darkened by Novacan Black Patina. Novacan is serious stuff. It seems more dangerous to handle than the acid etchant. With Novacan (and pcb etchant too) do not forego the mask and gloves. Safety is key. Don’t inhale it either. If you’re clumsy, wear safety glasses. Then again, if you’re clumsy, I recommend not using any chemicals and choosing the store-bought-finished-product route. So the black patina is this light blue thin solution. It darkened the steel, but it was ugly. I used a brass brush on it but then it turned shiny gunmetal, not a fan. Live and learn…
My copper bird find from Metalliferous; I love him. Why didn’t I know about that store when I LIVED IN NEW YORK? Like Oedipus, the gods were against me. But at least I didn’t sleep with my mother. Now THAT would be awkward and logistically complicated. Back to the bird, I used a swirly punch on contact paper and the etching came out quite nice. I used a color wheel to guide my palette, and the wood beads complement the copper and clay tones nicely. I added the cage (from Ornamentea) so he could safely relocate his babies (tumbled rhyolite). Lots of natural elements included, and I love that. I ordered some stone connectors from Etsy studio, Stones Studios Too, and my drilled stones should be arriving this week, and ooh the excitement!
Today is a special day because it is my birthday. I have no plans. Well that's not true; I plan to do nothing, and that is just the way I like it. The housekeepers arrived this morning to clean our home, and I was disappointed...disappointed because they would be disturbing my morning of birthday sleep. Am I that big of an #^@ - (*&^%? Yes, they would be disturbing my plans of nothingness. At least I was hip to my ridiculousness, quickly shrugged off my disappointment, and went downstairs, made a cup a cough, and am doing now some of which I love most: drinking java, writing, and doing not much. Jewelry designing will come later when I'm awake. I tried subscribing to the maxim, "I can sleep when I'm dead," but it didn't last. I like to wallow and loll in fluffy blankets - pug or husband, or nothing by my side, and stare at the ceiling or far off corners and sleepily s t r e t c h .
I’ve known Alli since my high school years, and I never get tired of her illustrations. When I’m out shopping, sometimes I see her work in unexpected places, and other times I spot it in the anticipated magazine. Her drawings are honest, forgiving, unfettered, and cheerful. I love the simplicity of her uncluttered designs. She doesn’t draw like she has something to prove, and I imagine her laughing when she eyes her final sketch, drawing, or whatever she uses nowadays to design. Is it all done on computer? I dunno. Maybe I will ask. But that’s not my point really. A year and a half ago, I discovered a polymer clay artist whose work was in one of those Interweave Empire magazines, and I fell in awe. Yes, I fell in awe over a POLYMER CLAY bead. Blasphemy! My fascination with her work didn’t end there. Soon I was being alerted by my email inbox that Ms. Powers’ beads were to be distributed by a growing number of retailers. I am not a clay artist; glass and metal are my preferred media, but Ms. Powers inspires me to re examine color. And I imagine if she was an illustrator, her designs and Alli’s illustrations would share many of the same principles. It is this bead that reminds me of Alli’s drawings. And isn’t Alli’s little creature so similar? Alli’s cat and Humble Bead’s barnyard owl, inspired me to make this necklace this morning. Isn’t it cute?
